Tuesday, September 8, 2009
I feel the pull of distance everyday. My daily life is separate from the land. I am too busy to stop and notice. I am too busy to connect. In her book The Lure of the Local, Lucy Lippard claims, “Virtually all ancient spiritual models in every culture emerge from or exist in intimate relation to land or place.” Therefore, doesn’t our growing distance from the land ultimately represent a weakening of our spirituality? My desire to close the gap motivates my work. I want to stop and notice. I want to connect. Perhaps it is more accurate to say, “I want to feel,” since spirituality and place are sensual.
How can I depict these feelings with/in my work? I appreciated Lippard’s quote of Richards Misrach’s comment, “…beauty can be a very powerful conveyor of difficult ideas. It engages people when they might look away.” But I also agree with Lippard’s observation, “Conventional landscape photography tends to overwhelm place with image.”
I am trying to visually capture the essence of an idea. I am trying to show a feeling. I am trying to portray a hidden world. A world we don’t take the time to connect with. This world may only exist in the past. How do I show that?